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Queen II : ウィキペディア英語版
Queen II

| Length = 40:42
| Label = Parlophone (Europe), Elektra (US), EMI (UK)
| Producer = Roy Thomas Baker, Robin Geoffrey Cable, Queen
| Last album = ''Queen''
(1973)
| This album = ''Queen II''
(1974)
| Next album = ''Sheer Heart Attack''
(1974)
| Misc =
}}
''Queen II'' is the second studio album by British rock group Queen, released on 8 March 1974. It was recorded at Trident Studios, London in August 1973 with co-producers Roy Thomas Baker and Robin Cable, and engineered by Mike Stone. The album is notable for its combination of a heavy rock sound with an art rock sensibility.〔 It has been called "a pillar of grandiose, assaultive hard rock" by the Rock and Roll Hall of Fame.〔
''Queen II'' is not a concept album but a collection of songs with a loose theme running throughout. The two sides of the original LP were labelled "Side White" and "Side Black" (instead of the conventional sides "1" and "2"), with corresponding photos of the band dressed in white or in black on either side of the record's label face. The white side has songs with a more emotional theme and the black side is almost entirely about fantasy, often with quite dark themes. Mick Rock's album cover photograph was frequently re-used by the band throughout its career, most notably in the music videos for the songs "Bohemian Rhapsody" (1975), and "One Vision" (1985).
Released to an initially mixed critical reception, ''Queen II'' remains one of the band's lesser-known albums. Nonetheless, the album has retained a cult following since its release, has garnered praise from musicians such as Axl Rose, Steve Vai and Billy Corgan, and is significant in being the first album to contain elements of the band's signature sound of multi layered overdubs, vocal harmonies, and varied musical styles.〔〔(Queen: First Five Albums Reissued – 14 March ) Queen Online. Retrieved 14 August 2011〕
==Background and recording==

After their debut album ''Queen'' was recorded and mixed by the end of November 1972, Queen set about touring and promoting it. Management problems forced the album to be released on the independent Trident label, but only after eight months had gone by since completion. During that time, Queen were writing new material and eager to record it. Several new songs were written immediately after the first album, and some dated from even earlier. "See What A Fool I've Been" was left over from the Smile days. "Ogre Battle" was written during the debut album sessions, as was "Father To Son", but the band decided to wait on recording them until they had more freedom in the studio.
August 1973 found the band back in Trident Studios, now allowed to book proper hours there, with an album under their belts. For what is generally considered a complex album (with layered vocals, harmonies and instruments), it took a very short time — only one month — to record ''Queen II''. A full version of "Seven Seas of Rhye" was laid down, recorded with the specific intention of being the album's leading single. After the commercial failure of "Keep Yourself Alive", which was taken from the first album, Queen decided it needed a single that did not take "too long to happen" (without a lengthy guitar intro). So, Queen and Baker made sure that "Rhye" began in a way which would grab people. Mythology and art were passions of Mercury's, and Richard Dadd's painting "The Fairy Feller's Master-Stroke" (which currently hangs in the Tate Gallery) sparked his creativity. This scene from Dadd's imagination was inspired by characters from fairy myths, which in the painting are gathered around the Feller of Trees to watch him crack a walnut for Queen Mab's new carriage.
Rock photographer Mick Rock was employed to do the photography for the album's artwork. This single picture of Queen, used on the ''Queen II'' album cover, would become one of the band's most iconic images, revisited and brought to life for the "Bohemian Rhapsody" promotional film.〔 Robin Cable, with whom Mercury had worked during the "I Can Hear Music" session, was recruited to reproduce the Spector production sound for "Funny How Love Is".
The "White" side is very diverse: four of the five numbers were composed by Brian May, where one is instrumental, one is sung by Freddie Mercury and Roger Taylor (with May at the piano), the next is sung by Mercury, and the last by May. The closing track of The "White" Side is Taylor's only composition in the album, which he also sings. John Deacon played acoustic guitar on "Father to Son" in addition to normal duties on bass guitar.
Lead vocalist Freddie Mercury composed the entire "Black" side, contributing piano and harpsichord pieces and a wide range of distinctive vocal performances.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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